up yours, kevin seconds

Permalink I know this guy. A great dude, writer and songwriter. I’ve known him a long time and I consider him a friend. 
He’s had a tough run these past 5 or so years and he’s filled me in on some of what he’s been through and I absolutely sympathize and have done what I could to listen and be supportive. When things started to turn around and go good for him, I was as happy and relieved about it as anyone else could have been. I was just glad to hear that the guy had found some happiness and inner peace in his life after going through so much bullshit.
I’ve often said to quite a few folks that I think he’s one of the more talented songwriters in these parts and for many years, I’ve watched his sets, listened to his online-posted tunes and have even booked him to perform live at one local venue or another. 
But here’s the thing. In the last year or so, every time I see him, he does this thing where, pretty much anytime I run into him in public, we exchange pleasantries and when the time comes for me to mention what I’ve got coming up, gigs and what-not,  he says something like, “well, book me on one of your shows sometimes. i’m dying to play” and I basically do what I do with anybody who says this - I nod, say something like, “yeah, sure. sounds good.” and I go back to whatever it was I was doing.
Recently, he’s been posting these snarky comments on event pages i’ve made on Facebook that I invited him on, where he basically goes out of his way to let me and everyone else reading know that, while he likes some of the other people playing on the bill of the event I’ve created, he is passing on going to the event, for one reason or another. It’s the weirdest, most awkward goddamned form of protest, really.But, i get it.See, he’s doing this because he’s a performer in Sacramento who doesn’t play all that much and he views me as a performer in Sacramento who plays all too much and I can’t really argue that point. I do play a lot here in town and I’ve gone back and forth over how I feel about doing so which I won’t address here right now. So, when he posts his snarky little barbs (and make no mistake, they ARE barbs, despite him trying to pass them off as a joke or whatever), he’s basically giving me a little flick in the nose for booking yet another gig and not inviting him to play on it.In his most recent dig, another local singer-songwriter had apparently  invited him to come to upcoming January 7th show and his response was: ‘love to go (XXXXX), but I’m BOYCOTTING Kevin’s shows until he invites me to play one of his bills’.And I responded in equally snarky fashion, ‘which won’t happen’.Honestly, I *WAS* joking but I didn’t appreciate him putting me on the spot as he did. It’s tacky, petty and it doesn’t reflect that he likes and/or respects me all that much.After that, he basically claimed that he was joking in his initial response and then preceded to accuse me of being passive-aggressive with him when I should just (since I don’t like him….his words) tell him that I basically think he sucks and doesn’t fit into my ‘chummy little scene here in Sacramento’.Anyway, like I said, I don’t believe he was joking at all. I know him to be a pretty embittered, opinionated guy when it comes to his perceived place in the local music scene and he does have a legit gripe. I just don’t know what I can do about it.
During any given day, I get hit up by people, for something or another. Interviews, gigs, songs for compilations, benefit show requests….a lot of music-related people want me to do something with or for them and I’m pretty ok with it. If I can, i will. If it works out, i’ll help make it work out. When the time comes to try and figure out what sort of show i’d like to play the next time I play in my hometown, I consider all options. I really do. Sometimes, someone i know from another city  is trying to play in Sacramento and hits me up for a show. Sometimes, I see a musician or band play elsewhere that blows me away and I invite them to come play with me. Sometimes, and probably more often than not, I run into a musician friend who i thoroughly enjoy both musically AND personally, reflect on what fun the shows we play together almost always are and hit them up to play with me.
This friend of mine has probably mentioned 10 times to me that he would like me to book him on one of my shows and like I do most things, i considered it. at least i did, up until recently.  As mentioned, I think this guy is a great songwriter. He really knows how to put words and melodies together. In a good, fair world, he’d be rich from what he can do with words and music. I mean that.
But in 15 years, I’ve seen him perform well over 20 times and, while I enjoy the songs he makes, I don’t always enjoy his live performance. There’s just something off and missing when he plays and sings and I can’t quite put my finger on it. His guitar playing seems decent and his voice, while at times, a little too piercing and ‘from the throat’-y, is pleasant enough but overall, he just never seems well-prepared to play in front of a live audience and during his set, he seems to be more focused on scanning the crowd for reaction than just loving what he’s creating and sharing it with an audience. I know that it is nerve-wracking to get up there and play your shit in front of people. Few people in Sacramento have nurtured and supporter singer-songwriters in recent years as much as I have, this particular friend, included. But all too often, this guy seems like he’s just been so beaten and weighted down by the shittiness of life, he can barely appreciate the gifts and talents he possesses or the friends and supporters he does have. I can’t say that I dislike him as a performer, I don’t. He just sometimes makes me feel uncomfortable and nervous for him and it’s hard to get excited about what he does when it comes to live shows.
I don’t claim to be an expert on talent but I know what I look for in songs and in performers. I’ve booked live music at several area venues and have hosted my share of open mics in Sacramento, 5 of them off the top of my head, that were arguably some of the best weekly open mics my hometown has ever seen, with some of the most amazing and inspirational musicians, singers, songwriters and performers I have ever witnessed. I’ve been around.As a performer, I know that I’m about as scrappy and un-polished as they come and most certainly, an acquired taste for many. It’s never been about the most notes or chords or frills and it definitely has nothing to do with perfection. I love flaws and quirks and rawness and I love when a performer shows the human part to the performance. Make mistakes all the fuck you need to, forget words and key changes, no a big deal.
But show spark and let your love for what propels you as a musician, especially a performing songwriter flow out of your asshole like a righteous river of scalding diarrhea. If you can’t give something to an audience, at least “own” parts of them with passion and conviction.Anyway, this was written in response to a much bigger piece this friend posted on his own blog last night. I hadn’t meant to critique him in public as that is not really for me to do. But he accused me of more or less pulling my punches and questioned my honesty so I felt compelled to put this down in writing.  I don’t know if this means we are now NOT friends and I will not be putting a ton of thought into what I can do to make this friend feel better about me or about his standing in the local music community.I don’t like that he thinks that I don’t like him.  Then again, I don’t completely believe that he thinks that I don’t. 
Permalink who said anything about this being poetry period, asshat? 
Permalink At The Cusp Of…
got up this afternoon feeling fuckedit seems like i’m currently at the cusp of something, um, bigger? 
a couple of days agoI had a meeting with a friend who is also a band mate and is quickly becominga “business associate”and he’s been talking to record labels on our behalf and he told me that one label in particulara major label, is very interested and that an offer is imminent
and i’m thinking, geez, a possible major label contract after 15 years with this band, with all the tours, the records, the city moves,the girlfriends,bad dieting and rotting teethand it dawned on me that i’m way more excited about my computer bulletin board system than i am about selling my almost 34 year old self and getting a video on MTV. 
something about that seems pretty fucked up. 
1/24/95  Sacramento, CA
Permalink There’s this woman who requested to be my friend on Facebook awhile back and I added her. We seem to have mutual friends and I suppose I added her because of that. I don’t believe we’ve ever met in person although her face seems familiar to me.  Nonetheless, I don’t think I ever heard a peep come from her until I announced that I was trying to raise money to buy a touring for myself and for occasional 7Seconds trips by starting a Kickstarter project, where I offer ‘rewards’ in exchange for financial contributions. It took me awhile to get completely comfortable with the idea but eventually I figured, why the fuck not? If you’re a fan of me and what I do, this is a fun little project and yet another way to show support for what I do, creatively.  Now, I can see why some people might get their noses bent over something like this. People who get up every morning and go to a job they may love or hate or not have any real feeling about at all might take offense at some musician schmuck who tries to come up with some new, creative way to keep the work coming. I don’t agree with it but I can kinda see why someone who doesn’t live this particular lifestyle could get their panties in a bunch over it.
I tried to make it clear that, while I was asking people to contribute money towards my cause, I wasn’t asking for a handout, a freebie, where people just dump money into some random Paypal account and get nothing back in return. I offered various things - artistic and musical - in return for the donations and I went into it knowing that, no one besides true, blue fans, friends and family members would even bother with it.
Truth be told, I didn’t even think that more than 10, 20 people would want to contribute to the project when I first started it. That’s how NOT confident i was about the whole idea.
That said, I asked for $7,000 to buy a new van and ended up raising that in less than 2 days and by the end of the required 30 days it takes for the project to end, I ended up raising nearly $12,000, with over 150 kind and generous folks, chipping in.
To say that the overall experience gave me new-found hope in and appreciation for people’s love for musicians and artists would be a massive understatement.  
Within 4 days of receiving the funds (and 2 days of leaving for a nearly month-long U.S. tour), I was able to but a wonderful 2005 Ford Econoline in EXCELLENT condition and I will be eternally grateful to those who helped me make this happen.
That brings us back to this woman, this Facebook “friend” who took issue with the project and decided to make the extra effort to come on my Facebook page and try and insult and humiliate me. Had she REALLY researched the project, or had any real clue as to why she was bitching at me about this, I would have attempted to keep a dialogue going between us, as I am all about keeping facts straight and communication lines open. But from day one, it was clear that she just wanted to pick a fight with me and use my response as I way to make herself look better or more cool on her own page. And that’s exactly what she did. She didn’t bother using any of my actual quotes to prove just what a complete shithead i was. Instead, she called me names, accused me of being lazy, insulted my integrity (or lack thereof) and questioned my motives and she did it, with the hopes that some of her Fb friends would chime in and agree with her on what a “douche” I am, some who did, most who didn’t.
I honestly found it amusing because, let’s face it, i kinda love shit like this. But recently, this person decided to take a particular subject (the serious illness of a beloved pet (Hank the dog) and the attempt of a dear friend to organize an art charity to help raise funds for Hank’s medical treatment) and try and (AGAIN) dis-respect me for no real reason and crossed a line that I think even SHE would realize, if she could get past her own pettiness and weird beef with me.
She took some petty, half-assed digs at me (on MY Facebook page!) and asked why I, if I truly loved and cared for Hank, wouldn’t sell my new van and put the money towards Hank’s vet bills. Is that even a remotely reasonable or intelligent suggestion? 
Our exchange went something like this…. (all in response to the art charity link I posted):
CK (the woman): Now THAT’S a worthy cause! (an obvious dig at my Kickstarter thing)
Me: Yep. Hank and my new van (sorry. i couldn’t help it)
CK: Lame!!!!! Why don’t you sell your van to save Hank? Is he not worthy of such sacrifice?
Me: why don’t you mind your own beeswax?
CK: Not the world’s, but maybe a hundred of them for a while. Is that not more worthy a cause than Kevin’s free touring van?
CK: Wah wah! Poor Kevin. Anyway, I hope all turns out well for Hank. Enjoy the rest of Thanksgiving Day.
I knew that she would have a field day with this latest bit of attention I was paying to her and went to her page to find this little gem:
CK: This thanksgiving, I am thankful for FB, for giving me the opportunity to start shit with douchey aging “rock stars.”
Classy.
It was after this that I decided that this woman couldn’t POSSIBLY be serious and was now just trolling the fuck out of me. Unfortunately, I don’t find anything funny in the death or sickness of a pet and I decided that, before I let this woman continue her asinine behavior on my Fb page and create a possible flame war, I’d just eradicate her and her shittiness and be done with it. Naturally, I knew she would have something snarky to say about her being deleted and so I checked her page to find this:
CK:  As curmungenly (as my aging rockstar gets, he’s never douchey and I don’t need FB to start shit with him. But I did get under Kevin Seconds skin enough for him to block me yesterday. Ha! He should have done it months ago.
And when a few folks on her page responded, she continued:
CK: Ed, it was awesome! We had a four day argument about his stupid van. I ragged on him for begging instead of working for it, asked him whatever happened to DIY. there were about 45 people on the thread and no one defended him. Then Jason O’Toole and I discussed it on James Damion’s page and Kevin saw that. He was such a douche the whole time. Yesterday when he posted a worthy cause I commented that he should sell his van for it and he went on about how hard he works and I made fun of him for being a cry baby so he made a post like this one, but about me and then blocked me. By the way, I love 7 Seconds.
Ed responded with: ‘You are officially my favorite person right now!’  which is, I’m assuming, what she was hoping for in the first place. Maybe now she can revel in her joy and contentment over trolling me so magnificently.
I actually don’t blame CK for using me as a Facebook whipping boy. I have a lot of people reading and commenting on my page and her page doesn’t generate all that much attention. I’m sure a little drama is just the thing to get people chirping.
One last thing, and just to clear the slate and state my side of that last bit of bullshit she posted…
I’m not sure what she was referring to when she claimed “there were about 45 people on the thread and no one defended him (me)”. I just went back and looked and over 35 people ‘LIKED’ my post announcing my Kickstarter project and WAAAAY more than that responded positively and in support. Only CK and grumpy, ol’ Al from SSD bitched about it. 
Secondly, i never ONCE said anything about how hard I work, in response to her comment. I mentioned that the van costs a pretty penny to maintain but I did not say anything about how hard I work. Thirdly, i maintained my sense of humor throughout the ordeal and never lost my temper and didn’t even contemplate deleting CK. I figured the overwhelming amount of support I got spoke volumes and I didn’t want to ruin it by wrasslin’ verbally with this shit-stirrer too much or for very long.
Anyway, I had to get this off my chest so, there it is.
Permalink I, Pedestrian | Happened Really Fast | Mariposa | Cats | Make You Come | Crazy Head | Focus | Shave My Head | Perfect Rainbow World | Big Pork Sale | Swell All Over | Weird Family | Your Pants | Gym Less | Toys | Chin  | 137 Song  | Bad Girl Afterall  | Anti Me  | Better Picture  | X Girlfriend  | (Not My) Father | Weather, Everything  | Down  | Her Secret World  | Little Mystery  | Mick Foley | Stumbled Into Ben  | Stoudamire  | Tiny Shelter  | A Random Thought | The Day | Won’t Be Boring | This Cassette | Greens Turned To Brown | Good Morning Hannah | Hey Al | Sacto Lately | Prove Myself To You | June | On It | Nowhere Ain’t A Town
Permalink i stink of cigarettes. last night’s cigarettes. apparently, Jacksonville, Florida and many of it’s citizens still find indoor smoking absolutely adorable.meanwhile, me, my guitar and my van smell like an ashtray that hasn’t been emptied in 2 years.nevertheless, i really enjoyed the gig i play last night. despite the stage and sound system and lighting set up, the venue itself didn’t really feel like it was a live music venue. at least not live acoustic music.the place was crowded and everyone was in full cheap PRB mode which isn’t something that insults or annoys me all that much. since starting on this long, sometimes tedious road of performing alone many many years back, i’ve gotten accustomed and pretty damned good at handling whatever venue/crowd situation whatever city/country throws my way. last night’s drunks were all warm and friendly and, had i been in the mood to go hang out or eat or even get laid after the set, the odds were definitely in my favor.instead, i toweled off in the darkness of my van sanctuary, stashed away the money i pocketed and got my sore, tired and cig-stenchy old ass back on the road, this time, to South Carolina. 
Permalink Thursday, September 22
Had a really fun gig at Naked Lounge tonight. I had talked with Russ Rankin awhile back about us playing a Sacto show together and was able to out this together, along with my pal Steve Price. I was a bit nervous because I knew were up against a couple of big shows (Cute Lepers at Luigi’s; local Buddy Holly tribute at Harlows), on top of the fact that there was a hardcore show going on in the building next door to Naked, but we pulled in a decent crowd and the show was really fun. 
Steve opened. It was his first solo show ever and i thought he pulled off a really fun, very endearing set.
Russ came on next and like Steve, played an electric guitar through an amp for his ‘acoustic’ set. He did very well. Great songs, great voice, great set.
I was stoked to get to play with my buddy Brent Wiggans on drums again. He’s a good dude and drummer and he’s one of those guys who plays so intuitively, it’s scary. I had a lot of fun playing but could tell that my brain was elsewhere at various points, mainly just the fact that I’m going to Philly and playing with 7Secs this weekend.
Friday, September 23
I was happy I didn’t have an early flight out of town like I always do. I got up and drove Al and he car into the shop to have some repairs done and then we drove me to the airport for my 2pm flight.
I didn’t get great sleep last night so I managed to sneak in some snoozing on the flight to Chicago. Once in Chicago, i had just enough time to grab a snack and a Gatorade before catching my flight to Philly. We were delayed by almost an hour so I wasn’t sure where the boys would be at the airport (as they were flying in from Reno) when i got in. We managed to find each other and found the shuttle bus that got us to out hotel which was maybe 5 minutes away.
The Aloft hotel is pretty cool and VERY European, or even Japanese, in it’s overall feel. Steve and Bobby took one room, Troy and I in the other and we commenced to goofing around, eating pizza, watching yet another Lockup marathon on MSNBC and resting up for our big day tomorrow.
Saturday, September 24
We knew our set time was around 5:40pm so we didn’t rush getting over to Festival Pier at Penn’s Landing, the site where this year’s Riot Fest East was taking place. Not because we didn’t want to see the bands who played early but mostly because of the Philly humidity. 
We ended up taking a cab over and the second we hopped out of the cab, people, fans came up and talked to us. It was pretty fucking great hearing some of the wonderful things people were saying to us. You tell yourself that stuff like that doesn’t really matter but, it does. It definitely does, especially at this stage of our ‘career’.
We checked in with the festival people, got our passes and meal tickets and almost immediately, ran into longtime friends Cliff and Maria Hopkins. It’s ALWAYS great to see these 2 and it instantly put me in a great mood.
I caught big chunks of Weston’s and Samiam’s sets (both really good) before heading over to the tent stage to start stretching and preparing for our set. Along the way, ran into various old East Coast pals, as well as Kate Hiltz (Bouncing Souls’ amazing go-to human), Chuck Ragan (Hot Water Music), Jason Navarro (Suicide Machines and Mike & Dan (current Heels/former Pagan Babies).
The tent filled up impressively and, by the time we hit the stage, had become one gigantic drippy sauna. I don’t know how many people we played in front of because I’ve never been good at guessing that but it was in the thousands! The response we got the second we hit the stage was pretty mind-blowing and touching, I must say.
We knew we had 30 minutes to play so we banged through it and didn’t do a whole lot of talking in between. The energy and enthusiasm of the huge crowd was excellent, especially considering the punishing heat and humidity. I LOVED this show. Probably my favorite ones in YEARS. No kidding.
Watched sets by Naked Raygun, Suicide Machines, Plow United, Hot Water Music, Dead Milkman and X before making my way to the massive main stage area and finding a great spot to watch The Descendents, directly behind Bill Stevenson on the mammoth main stage. Everybody turned in EXCELLENT sets (Hot Water, particularly) but I have to admit, seeing The Descendents, after many years of not getting to, and all of their fans (pretty much EVERYBODY, including EVERY band member from bands that played and some (Rise Against) who didn’t, gave me slight goosebumps. The crowd seemed to have tripled in size by the time they took the stage. The band played a solidly fantastic, hour-long set and everyone had smiles and rocked to pretty much every song. 
After it was all over, Cliff and Maria kindly offered to give us a ride back to our hotel in their mini-van and, after gathering our stuff, we made our way through the large crowd, stopping for pics, autographs and friendly chit-chat. It took us about an hour to even get out of the pier parking lot. We got back to the hotel around midnight, all of us still abuzz from the evening’s excellence.
I knew my flight left at 6 the next morning (with Steve, Troy and Bobby’s leaving an hour later) so I figured it made more sense to just stay up all night and catch the 4:30am shuttle to the airport. It was tough but I did it.
Sunday, September 25
On the first leg of my trip home (Philly to Dallas), I ended up in a window seat at the very back of what looked and seemed like an older MD-80 plane, with the extremely loud and noisy engine sitting right up against my window. The thing rattled and vibrated my brains so much, I was becoming nauseous and slightly dizzy-feeling during the 3 plus hour flight. It was a huge relief when I was able to get an aisle seat at the front of the plane on my flight from Dallas to Sacramento.
I got into Sacto just before noon and Al (with our dogs Lulu and Hank in tow) picked me up and dropped me off at my car which was parked at the gym where she works. I drove home in the hot sun, got home, kissed my cat Gigi and before really getting a chance to think about the amazing Philly trip, I fell to the bed and crashed out for hours and hours.
Thank you Philadelphia, Riot Fest people and everyone who made our weekend so near-perfect.
Permalink 12th & P St Apt
Permalink

i dunno
i dunno
what?
i’m not sure
i dunno
what?
i’m not sure
i dunno 

Permalink

therewasaboundarytousthen.blogspot.com/


…because most of time, Tumblr is just too fucking retarded when it comes to simple things like formatting posts, adding pics and adding a title to a post you want to add a photo to. 

Permalink

please shut your GODDAMNED mouth

A girl named Tara sat at a table over from me and talked loudly about her day in a college art class, her roommate’s boyfriend and her lack of a job. I know her name was Tara because when she was talking to someone on the phone, she said, “I love my name….Tara is a fucking GREAT name….you don’t think Tara is sexy?”.

My guess is that she was 20 but she acted like she was 14. She didn’t seem very bright but what could I possibly know with such a brief introduction visit to her world.

Admittedly, I thought she was adorable and I hated myself for thinking so.

She must have sat and talked at that table for an entire 30 minutes and there were brief bits and moments that made me feel like ripping my own head off my shoulders.

She seemed to be completely oblivious to anyone else in the cafe and talked as loudly and openly as she wanted to, which maybe isn’t a bad thing to most people but I absolutely hate it. Enjoy your fucking conversation with whatever dumbshit is stupid enough to hang out with your obnoxious and clueless ass but don’t force me to eavesdrop into your creepy conversations, especially when I’m there, trying to get my own shit done.

As she left, she looked over at me, smiled nicely and said, “I love your tattoos. Who did them?”.

I wasn’t about to give her the names of the various tattooers who put their marks on my skin. What was the point? She didn’t REALLY give a shit about my tattoos.

God”, I responded. “God tattooed me”.

Her dumb response: “Oh, really? KEWL!”.



 

Permalink when i talk on the phone, i doodle
Permalink Recently, Mike Scott, a good singer-songwriter buddy of mine commented on what it feels like to find out that your music is being illegally shared on the Internet. The gist of his feelings on it seems to basically be, ‘fuck it. cool with me, i guess’. I have to agree.People ask me how I feel about it fairly often and I pretty much share his attitude. I find a certain thrill in making a new song and giving it away for free on the Internet when I can. When you’re bound by contract to a record label or publishing agreement (neither of which I don’t recommend to anybody these days), you’re not always able to do such things. These days, I’m not under any specific contract with anybody and I can come and go as I please. So, why not give it away when I can, right?That said, I sometimes wonder if, by giving away my music or keeping the price down on my recordings when i sell them at shows, I send out some signal that tells people out there in the universe that I don’t care enough about my music or find value in it enough to always put a price tag on it. This has been suggested to me by a number of folks I know and I suppose there might be something to it.Of course I would always much prefer that people love my music enough and find intrinsic value in everything I create enough to pony up the measly 99 cents or whatever it costs to buy it. I work hard on this shit and put everything into writing, recording and performing it for the masses. And since I gave up having a real job many many years ago, and I don’t have a college degree to fall back on, and the idea of starting up a brand new career at the age of 50 doesn’t sound all that promising to me, every bit of scratch I make off my music these days helps me do the simple yet important things in my life, such as keeping a rough over my head, eating, having a phone and a car to get me places.I’ve certainly come a long way from feeling guilt over actually making a little money from making music and art. Years ago, I felt so weird making a living off my music, I could only justify doing so by contributing to every charity imaginable and supporting other artists. I went a little overboard because it felt weird looking at being in a band as my sole way of making a living.I laugh at that now. What the fuck was I thinking?Actually, I’m almost pissed off at myself for ever buying into some of the bullshit I allowed to be drilled into my young, dumb brain by the so-called punk rock powers-that-be I once looked up to, people that admonished me and my fellow punk musicians for daring to quit our life-draining day jobs to hit the road and do what we all could to make OUR honest way of living. I could have stayed working in the Reno casinos (the few that are still left). I could have kept parking cars or driving a cab. By now, I might even be a supervisor at the Montgomery Ward I worked at. Oh, never mind. They went out of business years back too.I believe that there should definitely be some sort of middleground in the logic that musicians and artists don’t work like real people do and therefore shouldn’t make money doing the things that they love and, y’know, do for a living. I don’t know where that middleground is or how to make music fans come to the realization that, without them, their support and yes, their money, musicians and artists can’t really survive. At least not very well.Regardless of all this, when someone admits to me that they downloaded music I’ve created or been a part of creating, I generally tell them that I’m just happy they have the music, that that’s the most important part of the equation. At the base of it all, I really am just happy that perfect strangers take me home with them.At least a little piece of me.
Permalink

April 4th



I woke up to strange noises happening outside. I got up to look and was blown away (almost literally) by what I saw. Rain was coming down so heavily, you could barely see 10 feet ahead of you and the wind looked violent and vengeful. Like it had come to Nashville to tear it a whole new batch of assholes. I checked the weather app on my phone: Severe rain/winds, floods and tornado warnings.

TORNADO WARNINGS!

I showered and had just gotten dressed, thinking I’d brave the storm and find some food, when Teresa texted me this little doozy:  ‘GET IN THE BASEMENT’.  I thought she might have just been messing around so i replied with, ‘seriously?’ for which she replied, ‘yes! get in the basement and shut the door behind you’.

Holy shit. Am I in danger here, i wondered? I mean, Teresa lives here. Wouldn’t she know? I tried thinking back on the last time I had been in a tornado. Oh, that’s right. I hadn’t been.

Fuck.

I walked over to the basement door, opened it and peered down into the dark abyss that it resembled. At that moment, all the power went out. The whole neighborhood, hell, most of Nashville had no electricity.

Fuck this.

I put on my jacket (AKA my trusty hoodie), grabbed my keys, went outside and ran to my car. Once inside I could feel the rain pounding against the car and the intense wind attempting to push it over. I have to admit, it was a little hairy but I decided to tempt fate. I drove into town and hoped that my new favorite 24 hour cafe had power.

It did.

Along the way to Coco Cafe, I saw various trees toppled over and a few roofs that had been caved in or had been completely separated from the rest of whatever building they were on top of.  Traffic signals and street lights were out and everyone was driving like an asshole. I got to the cafe and hunkered down there for the rest of the day and until show time.

Eventually, the storm let up and everything was back to normal. Well, not everything. Power was still out throughout much of the city and when I got to the Little Hamilton space, I was greeted by Teresa and Sully, some of the nice locals including the people from the great band Chicken Little (who i played with a couple of years back at Gilman and who might just be the most adorable band ever) and a candle-lit venue.

A nice little crowd appeared out of seemingly nowhere and threw money into the donation box. We performers played completely acoustically and in mostly darkness, surrounded only by a half-circle of tea candles and nothing else.

It was an amazing little show and it gave me new-found hope for the younger, underground music/art/politics scene and made (makes) me wish I had a small space of my own again, one that was supported and maintained by the music, the arts and lively discussions. I’m always looking for little, out of the way buildings, warehouses, garages and storefronts, that I could turn into a community-minded spot for people who still give a shit about such things. Maybe I really do need to move out of Sac to find such a place. I know that it takes hard work, diligence and a good deal of money to get something like that going but I know it would be worth it to try and make happen, in Sacramento or anywhere.

Permalink

April 3rd


I didn’t have a gig on this day and i had nowhere in particular to be or do, so I took my time driving back to Nashville. I decided to find a cafe with wi-fi somewhere and sit and figure out what to do next. Again, it was either use Teresa’s open-ended flight home or try and scrape a few gigs together before heading back to California. I decided to go with trying to play more shows and posted on Facebook, asking people for booking help in cities in between Nashville and Denver. Amazingly, people got right on it and within a few days, pick-up shows had come together.

Teresa rallied and got me a pickup gig for April 4th, in Nashville, at an underground collective called Little Hamilton.

Riley
, my singer-songwriter buddy in St. Louis, hooked me up with a show on April 6th at an art space there called Lemp Arts Centre and an April 7th show at The Sideshow in Columbia, Missouri.

Ven
, another former Sacramento and singer-songwriter pal hooked me up with a basement show in Kansas City on April 8th.

Bob
, a longtime old punk rock friend from the old Outhouse/Lawrence, Kansas days booked me at the Booby Trap bar he does sound at, in Topeka.

Damian
, my buddy in Colorado Springs, who books at the great Triple Nickel there, scrounged me up a gig, as well.

It had all come together so quickly, I was starting to feel like I was forgetting something,  maybe a show someone else had offered and I say ‘yes’ to already.

These gigs were all last minute and getting the word out about them, meant bombardment bulletins on Facebook and MySpace, at this point. And that’s what we all did, basically. All I needed was to make enough money to get to the next town and If I could get gas money and sell some merch, I would be ok. Not great but ok. Problem about the merch was, I had sent off all my vinyl and most of my CDs so I burned more copies of my Homegrown Series CDs. At $5 a pop, you can’t go wrong with those babies, right?

After a couple of hours of bad coffee (Starbucks) and computer head from staring at the Internet, I took off back to Nashville and Teresa and Sully’s place.

It was nice to be hopeful about something again.